1960s Trend: New Wave actress Anna Karina’s French style

Table of Contents An early image session, circa 1960At her wedding ceremony to director Jean-Luc

Photo by Jean-Claude Sauer/Paris Match by means of Getty Pictures, © AGIP/RDA/Everett Assortment and photo by Philippe Le Tellier/Paris Match via Getty Photographs

Much more than just a French film star, Anna Karina is the unquestionable experience of the French New Wave motion. Soon after meeting director and partner-to-be Jean-Luc Godard in 1960, the Danish-French actress went on to star in 7 of the director’s most iconic videos. No matter whether she’s participating in a schoolgirl-turned-burglar (Bande à part), a lady-on-the-lam (Pierrot le fou) or an aspiring actress (Vivre sa vie), Anna and her inimitable presence — both vulnerable and free-spirited — is the beating heart of every single Godard collaboration. The duo’s films shaped each French New Wave and French lifestyle, as a complete — and the similar could be mentioned about Anna’s manner selections. Taking in plaid skirts, trench coats, headbands and hair ribbons, ballet flats, catty eyeliner, and excellent sweaters, Anna’s 60s design (in all its gamine glory) established the common for Nouvelle Vague dressing and continues to be the blueprint for today’s French female chic. Here, we glance again on the French film star’s profession by way of a selection of her most legendary outfits.

An early image session, circa 1960

At age 17, Anna Karina (née Hanne Karin Bayer) hitchhiked from her indigenous Denmark to Paris with only 10,000 francs in her pocket. Shortly just after going, Anna was scouted by an ad company and began modelling. During her early-job stint as a model, Anna covered Elle Magazine, achieved Coco Chanel (who, Anna recounts, arrived up with the actresses’ iconic stage name), and appeared in commercials for Coca Cola and Palmolive. Listed here, for the duration of a person of her to start with photo periods as an actress, Anna poses at a Paris monument sporting a pencil skirt, t-bar flats, and a cardigan in a person of her favorite colours: purple. One particular yr later, Anna wore this cardigan on-monitor, while filming Jean-Luc Godard’s comedy Une femme est une femme.

Photo by Jean-Claude Sauer/Paris Match by way of Getty Photos

At her wedding ceremony to director Jean-Luc Godard, 1961

Both of those artist-and-muse and husband-and-wife, Anna and Godard have been the pair that described French New Wave cinema. Right after seeing Anna in an advertisement for Palmolive cleaning soap in 1960, the director cast the actress as the guide in his 2nd film, Le petit soldat. The few fell in love all through the film’s production: in 2016, Anna recounted to W Magazine that the director slipped her a adore notice during a supper social gathering, asking her to leave her then-boyfriend and meet him at a Genevan café. She did. The few bought married in Paris a 12 months later. To the ceremony, Anna wore a long sleeved, tea-length gown, finish with a shorter veil and a enormous flower on the crown of her head. Really 60s and extremely Anna.

With Jean-Luc Godard, circa 1960

Immediately after getting the direct purpose in Godard’s Le petit soldat in 1960, Anna went on to star in six of the director’s most legendary movies around the study course of six years. From avant-garde heist movie Bande à section to the surreal and vibrant Pierrot le fou, Anna and Godard’s movies have still left a long lasting impression on French cinema as a total. Here, shelling out time with her spouse on set, Anna wears her signature ensemble: crewneck sweater, plaid skirt, tights and kitten heels. Anna’s also worn this exact outfit across a number of Godard’s flicks, together with Bande à part (keep in mind the iconic dance selection?) and their initial film, Le petit soldat.

In Vivre Sa Vie, 1962

From a corseted sailor’s costume to a nun’s habit, Anna pulled some unforgettable on-display seems in the course of her profession. Her most iconic cinematic seem, on the other hand, belongs to 1962 Godard common Vivre sa vie. In this tragic character research, Anna performs Nana, an aspiring actress whose hopes are bit by bit crushed above a series of 12 tableaux. The movie is broadly viewed as a person of the masterpieces of the French New Wave movement. And Nana’s search is equally important. The character’s unmistakable black bob, white shirt and black cardigan, worn right here during the film’s dance quantity, have become emblematic not only of Godard’s oeuvre but of the cinematic movement as a whole.

At Cannes Movie Festival, 1962

When in Cannes! Just after breaking into the French movie field in 1960, Anna — along with Godard — turned a staple at the country’s illustrious Cannes Movie Festival. To the event’s 1962 edition, the actress wore a breezy broderie anglaise blouse with her signature plaid skirt. In this article, she tops the glimpse with a straw boater hat to conquer the Riviera heat, obviously. In other places at Cannes, Anna’s donned pigtails (identical to those she wore in Bande a Component and Une femme est une femme) crochet and even far more straw hats.

anna karina looking up at jean-luc godard while wearing a fur trimmed coat and hat

At residence in Paris, 1963

Alongside her really like for plaid skirts and boater hats, Anna also had a predilection for lovable fur-trimmed coats, worn listed here, at dwelling in Paris. In point, Anna’s preference for furry outerwear motivated her on-display screen costumes all through the 60s. The two her people from Godard’s Vivre sa vie and Une femme est une femme donned similar fur-collared coats. And, even further than her collaborations with Godard, the actress wore a furry wrap jacket on-set of Claude de Givray’s Un mari à prix fixe.

anna karina painting outside at her home in paris

Photograph by Jack Garofalo/Paris Match via Getty Images

Portray at residence, 1964

Further than the silver monitor, Anna also pursued a profession in new music. In 1967, the actress recorded a collection of songs to accompany musical-comedy film Anna with French new music sector heavyweight Serge Gainsbourg. The film’s single “Sous le soleil exactement”, composed by Serge, became a big hit in France. Right here, at her residence in Paris, Anna dabbles in painting, as well, putting on an oversized purple sweater, denims, black ballet flats and a felted boater hat. A quintessentially française outfit for one of the most legendary French stars.

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